Phyllis Chapell has spent her life developing a universal musical style, singing “world songs.” Her repertoire includes songs in 13 languages from Brazil, Latin America, Europe, Africa and the Middle East, as well as American folk, jazz and popular music. She also has a repertoire of award-winning original songs. Phyllis has performed and recorded with countless other individuals and groups, including Intercultural Journeys-
a multicultural ensemble founded by Philadelphia Orchestra cellist Udi Bar-David.
Chicago have toured every year since the beginning – they’ve never missed a year. The original four band members are Robert Lamm on keyboards and vocals, Lee Loughnane on trumpet and vocals, James Pankow on trombone and Walt Parazaider on woodwinds. The band line-up also includes Tris Imboden on drums, Keith Howland on guitar and vocals, Lou Pardini on keyboards and vocals, Ray Herrmann on sax and flute, Walfredo Reyes, Jr. on percussion and Jeff Coffey on bass and vocals. Chicago’s newest record of new studio tracks, “NOW” CHICAGO XXXVI, was released on Frontiers Records. It includes eleven brand new songs, recorded on the road. Chicago has built a new recording system that is flexible, portable, powerful and musical. This new “recording rig” travels with the band.
We welcome back Maurice Mahler on Nov. 15th to present a different film than previously shown, and to reveal more background information about Chagall. This film, Chagall’s Journey was created for NBC in 1985 and hasn’t been seen since. The film chronicles Marc Chagall’s journey from czarist Russia to the West and finally to a small village in the south of France. Through photos, archival footage, probing interviews and comments from art historians, the viewer learns how Chagall’s paintings are his biography.
Internationally acclaimed Mexican acoustic rock guitar duo Rodrigo y Gabriela are back on the road again, bringing their unique instrumental blend of metal, jazz and world music to audiences all over the US. They have been playing together for more than fifteen years. First as young thrash metal fans in their native Mexico City, then as innocents abroad and street musicians in Dublin, Ireland at the turn of the millennium, and finally as the globe-straddling, film-scoring, record-breaking artists they are today.
Known for exhilarating live shows, Rodrigo y Gabriela have won the hearts of music lovers from the haciendas of Cuba to the Hollywood Bowl and festival fields of Europe, as they continue to weave their unique six-string magic. The extraordinary interplay between Sanchez’s fiery lead lines and Quintero’s phenomenal rhythmic battery is truly universal.
A 7-foot clown walks into a bar. He motions for a soda water and sits there staring at his drink. The year was 1998 and Puddles had wandered into the Star Community Bar in Atlanta, GA where bartender Big Mike Geier first laid eyes on the sad, silent clown. Today the two close friends travel all over with Puddles Pity Party, Mike speaking on behalf of Puddles since the clown chooses to stay silent.
The softhearted crooner continues to wander the world with melancholic pop anthems and free hugs for all the party people. Though his suitcase is packed with plenty of Kleenex, the show is not entirely about sadness and longing. Puddles’ set is peppered with a brilliant sense of the absurd, mixing lots of humor with the awkward, tender moments.
The Exterminating Angel has its Met premiere this season, conducted by the composer, Thomas Adès. The 2016 opera, co-commissioned by the Met and sung in English, is based on the screenplay by Luis Buñuel and Luis Alcoriza for the acclaimed 1962 Buñuel film. Directed by the librettist Tom Cairns, the ensemble cast features Audrey Luna as Leticia Maynar; Amanda Echalaz as Lucia de Nobile; Sally Matthews as Silvia de Ávila and Sophie Bevan as Beatriz, both in Met debuts; Alice Coote as Leonora Palma; Christine Rice as Blanca Delgado; Iestyn Davies as Francisco de Ávila; Joseph Kaiser as Edundo de Nobile; Frédéric Antoun in his Met debut as Raúl Yebenes; David Portillo as Edmundo; David Adam Moore in his Met debut as Col. Álvaro Gómez; Rod Gilfry as Alberto Roc; Kevin Burdette as Señor Russell; Christian Van Horn as Julio; and John Tomlinson as Dr Carlos Conde. The Exterminating Angel is a co-commission and co-production with the Royal Opera House, Covent Garden; Royal Danish Theatre; and Salzburg Festival, where the production premiered in 2016.
Kipyn Martin is an emerging Indie Folk singer-songwriter whose roots sink deep into the banks of the Shenandoah River. She currently plays festivals, concert halls, coffeehouses, and house concerts from New England to Texas.
Kipyn celebrated several milestones in January 2017 including the release of Dance Across the Sky, a new solo project following up her debut Undercover Muse, and winning the coveted Gold Award in the Mid-Atlantic Song Contest for God is Love, her third MASC Gold adding to previous wins in 2013 and 2014. As good as her songwriting is, her distinctive voice is even more remarkable, one of the most beautiful I’ve encountered in the folk music field!
Amidst a bustling Turkish market, the pirate Conrad falls in love at first sight with beautiful Medora, the ward of the slave merchant Lankedem’s bazaar. Conrad kidnaps Medora when Lankedem decides to sell her to the Pasha. Inspired by Lord Byron’s epic poem and reworked by Alexei Ratmansky from Petipa’s exotic 19th century classic, this miracle of the repertoire is one of the Bolshoi’s most lavish productions. Complete with a magnificent awe-inspiring shipwreck and dramatic scenery, this grand romance allows enough dancing for nearly the entire company and made especially for those who seek miracles in theatre.
The iconic guitarist, songwriter, vocalist and three-time Grammy-Award winner Brian Setzer and his 19-piece orchestra whip up a huge dose of retro holiday cheer with their Christmas Rocks! Tour presented by SiriusXM. The acclaimed show also features music from their latest Christmas album, “Rockin’ Rudolph,” their three other best-selling holiday albums, as well as original Brian Setzer hits. Consistently cited as one of the world’s greatest living guitarists, Setzer’s trademark guitar work and vocal stylings are matched with the Brian Setzer Orchestra’s rockin’ big-band horn arrangements—an unbeatable combination guaranteed to rock you into the holiday spirit!
Squeeze first formed in 1973, shortly after Chris Difford and Glenn Tilbrook had begun their songwriting partnership. By 1977 they had made their recording debut and enjoyed a string of hits. Over the years there have been solo careers and occasional separations, but the Ivor Novello Award-winning songwriting duo Chris and Glenn reunited ten years ago to relaunch Squeeze and have been touring, writing and recording together since.
2015 saw the release of the critically acclaimed ‘Cradle to the Grave’ which was written as a soundtrack to Danny Baker’s BBC TV sitcom ‘Cradle To Grave’ (starring Peter Kay). The band has long been a captivating live act, and in 2016 they triumphed on the Pyramid Stage at Glastonbury with The Guardian saying they “[went] down a storm… Squeeze’s success is a pretty infectious thing”.
It’s that time of year again: Santa, singing, and festivities for the holidays! 4JG’s Holiday Wine weekend is their annual celebration of good wine, shared with family and friends. Enjoy their award winning wines, live piano music, and chocolate pairing. 4JG’s has great gift ideas for all of the wine lovers on your list! Relax and enjoy the vineyard while they uncork a little magic for this holiday season!
he beloved TV classic RUDOLPH THE RED-NOSED REINDEER soars off the screen and onto the stage this holiday season. Come see all of your favorite characters from the special including Santa and Mrs. Claus, Hermey the Elf, Bumble the Abominable Snow Monster, Clarice, Yukon Cornelius and, of course, Rudolph, as they come to life in RUDOLPH THE RED-NOSED REINDEER: THE MUSICAL. It’s an adventure that teaches us that what makes you different can be what makes you special. Don’t miss this wonderful holiday tradition that speaks to the misfit in all of us.
Based on the animated television special Rudolph the Red-Nosed Reindeer and the stage production directed and conceived by Jeff Frank and First Stage. Script adaptation by Robert Penola. Arrangements and orchestrations by Timothy Splain.