Dance Studio Open House! Call today for complete class and workshop schedule (732) 820-0333!
FOUNDATIONS PERFORMING ARTS, new Red Bank dance studio delivering the magic of movement and music.
FREE trial classes available through December!
About Foundations Performing Arts:
Dance and performing arts studio providing a safe, nurturing and inclusive environment where an individual is free to develop his or her own artistic expression. Ballet is the center of our technique, with a focus on rhythm, musicality and contemporary movement. Each dancer is encouraged to embrace the discipline and precision of dance, but the focus is on the art. We emphasize a culture where ideas are shared openly and incorporated into a classroom environment. We encourage our students to sing, act, dance, tumble and have fun! Contact owner and artistic director Nicole Ceballos for more information.
http://m.facebook.com/231610464295359/photos/a.260860331370372/297997754323296/?type=3&source=44
Dance Studio Open House! Call today for complete class and workshop schedule (732) 820-0333!
FOUNDATIONS PERFORMING ARTS, new Red Bank dance studio delivering the magic of movement and music.
FREE trial classes available through December!
About Foundations Performing Arts:
Dance and performing arts studio providing a safe, nurturing and inclusive environment where an individual is free to develop his or her own artistic expression. Ballet is the center of our technique, with a focus on rhythm, musicality and contemporary movement. Each dancer is encouraged to embrace the discipline and precision of dance, but the focus is on the art. We emphasize a culture where ideas are shared openly and incorporated into a classroom environment. We encourage our students to sing, act, dance, tumble and have fun! Contact owner and artistic director Nicole Ceballos for more information.
http://m.facebook.com/231610464295359/photos/a.260860331370372/297997754323296/?type=3&source=44
VIP INCLUDES ONE GREAT SEAT, A UNIQUE TOUR POSTER, A POST SHOW MEET AND GREET WITH DR. TYSON, AND A PHOTO OPPORTUNITY
— Dr. Tyson, the host of Cosmos: A Spacetime Odyssey on FOX, and NOVA ScienceNOW and Origins on PBS, explains Cosmic Collisions in a fun, family-friendly evening designed to help unravel the mysteries of modern science. Learn why these collisions – asteroid and comet impacts on Earth – happen and what we are doing about it.
A world-renowned science communicator, Neil deGrasse Tyson has transported viewers to the nucleus of an atom and to the farthest reaches of the universe. In addition to his work on television, he is a New York Times best-selling author whose books include Death by Black Hole & Other Cosmic Quandaries, Welcome to the Universe, and last year’s Astrophysics for People in a Hurry.
Currently the head of NYC’s Hayden Planetarium and a research associate in the Department of Astrophysics at the American Museum of Natural History, Tyson is the recipient of 20 honorary doctorates as well as the NASA Distinguished Public Service Medal, the highest award given by NASA to a non-government citizen.
For this entertaining event, Tyson will host a fascinating multi-media presentation and conduct a Q&A session with audience members.
The Guild’s wacky “All-Member Edgy Exhibit” will be on display for the month of January. According to Webster’s Dictionary, “Edgy” means “at the forefront of a trend, experimental, avant-garde, innovative, original, or offbeat. The Main Gallery will showcase works in all media – acrylic, assemblage, collage and mixed media, oil, pastel, photography, sculpture, watercolor and wood in a variety of unusual subject matter. Reception Sunday, January 6, 3 – 5 pm.
The Guild’s wacky “All-Member Edgy Exhibit” will be on display for the month of January. According to Webster’s Dictionary, “Edgy” means “at the forefront of a trend, experimental, avant-garde, innovative, original, or offbeat. The Main Gallery will showcase works in all media – acrylic, assemblage, collage and mixed media, oil, pastel, photography, sculpture, watercolor and wood in a variety of unusual subject matter. Reception Sunday, January 6, 3 – 5 pm.
The creators of Erth’s Dinosaur Zoo Live want to take your family on an all new adventure – this time to the bottom of the ocean. Erth’s Prehistoric Aquarium Adventure is an immersive experience that invites you to jump in and explore unknown ocean depths where prehistoric marine reptiles lived eons ago – and maybe live still today! Erth shows are at the forefront of family entertainment, using actors, technology, puppets, science and imagination to create an amazing visual experience that connects young audiences to the real science of paleontology.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design