Over 40 artists and craft makers. Santa arrives by fire truck in Viking Village to 19th & Bayview Ave, at around 1pm. Bring your own camera for pictures with Santa. All shops are open, available seafood takeout, gourmet coffee bar, a fire pit for smores, lawn games, live music, and endless merriment!
American Repertory Ballet brings the beloved classic Nutcracker to the stage with Tchaikovsky’s magnificent score, thrilling choreography and a cast of more than 100. A holiday tradition for more than 50 years (1964), American Repertory Ballet’s Nutcracker is one of the longest, continuously running Nutcracker productions in the nation.
Dec 14: 7:30pm — 9:30pm
Dec 15: 2:00pm — 4:00pm
Dec 15: 7:30pm — 9:30pm
Dec 16: 2:00pm — 4:00pm
American Repertory Ballet brings the beloved classic Nutcracker to the stage with Tchaikovsky’s magnificent score, thrilling choreography and a cast of more than 100. A holiday tradition for more than 50 years (1964), American Repertory Ballet’s Nutcracker is one of the longest, continuously running Nutcracker productions in the nation.
Dec 14: 7:30pm — 9:30pm
Dec 15: 2:00pm — 4:00pm
Dec 15: 7:30pm — 9:30pm
Dec 16: 2:00pm — 4:00pm
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
Sample over 150 of the world’s most popular wines at Tropicana Atlantic City’s Wines From Around the World Festival. The festival features wineries from the United States, New Zealand, Italy, France, Argentina, Uruguay, Australia, South Africa and more. Featured wineries include, but are not limited to, Artesa, Ruffino, Kim Crawford, Simi, Francis Coppola, Ferrari-Carano, Masi, Vistalba, and Paul Goerg. Wines will be available for purchase by bottle or case. Live entertainment and food is available. Tickets are $30 if purchased in advance, and a souvenir wine glass is included in admission. Door tickets are $35 and designated-driver tickets are $10, will also be available at the door. Must be 21 to attend.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
Come down and see what the farm staff is cooking on the wood-fired stove. Discover new recipes and cooking techniques. Study how the kitchens have changed since the 1890s in this free educational event.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
At the Asbury Park museum there will be a presentation by Claire T. Garland, Director of the Sand Hill Indian Historical Society and Sharon Coleman Davis. The two ladies will share their family roots and history of the Cherokee Indian inhabitants of our area going back to the early 1700s.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
Asbury Shorts New York is New York City’s longest running exhibition of the award-winning short films. Producer Doug LeClaire brings World’s Best Short Films back to Algonquin Arts Theatre.
In its 27th year, this annual event has always drew enthusiastic crowds looking for great deals on fishing equipment. This equipment includes tackle, rods, reels, clothing, lures, etc. Many of the east coast’s finest plug makers are among the 116 vendors at the show. Tickets are $5 at the door and proceeds are donated by the club to various local not for profit organizations. Children 12 and under, accompanied by an adult are FREE.
On Saturday March 9th, experience first-hand the North American tradition of maple sugaring at Hunterdon County’s Maple Sugaring Program. The tour will take you through the experience and the art of the sugaring process. Along the way you will see an early American Frontiersman tapping his trees, visit a sugar “farmer” at his evaporator, and enjoy a Native American story about the discovery of maple sap. Everyone will get a free taste of real maple syrup on a silver dollar pancake at the end of the tour. All ages are welcome.
Time: 9:00 AM to 2:00 PM – tours begin every 20 minutes (duration: 1 hr)
Cost: $1 per person suggested donation
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design