A Charlie Brown Christmas is a classic holiday show that is well-worth seeing each year. Come to Count Basie Theatre in Red Bank to see the show live and hang out with Charlie Brown, Snoopy, Lucy, and Linus. The Peanuts are excited ro see you and your family there!
Dance Studio Open House! Call today for complete class and workshop schedule (732) 820-0333!
FOUNDATIONS PERFORMING ARTS, new Red Bank dance studio delivering the magic of movement and music.
FREE trial classes available through December!
About Foundations Performing Arts:
Dance and performing arts studio providing a safe, nurturing and inclusive environment where an individual is free to develop his or her own artistic expression. Ballet is the center of our technique, with a focus on rhythm, musicality and contemporary movement. Each dancer is encouraged to embrace the discipline and precision of dance, but the focus is on the art. We emphasize a culture where ideas are shared openly and incorporated into a classroom environment. We encourage our students to sing, act, dance, tumble and have fun! Contact owner and artistic director Nicole Ceballos for more information.
http://m.facebook.com/231610464295359/photos/a.260860331370372/297997754323296/?type=3&source=44
Dance Studio Open House! Call today for complete class and workshop schedule (732) 820-0333!
FOUNDATIONS PERFORMING ARTS, new Red Bank dance studio delivering the magic of movement and music.
FREE trial classes available through December!
About Foundations Performing Arts:
Dance and performing arts studio providing a safe, nurturing and inclusive environment where an individual is free to develop his or her own artistic expression. Ballet is the center of our technique, with a focus on rhythm, musicality and contemporary movement. Each dancer is encouraged to embrace the discipline and precision of dance, but the focus is on the art. We emphasize a culture where ideas are shared openly and incorporated into a classroom environment. We encourage our students to sing, act, dance, tumble and have fun! Contact owner and artistic director Nicole Ceballos for more information.
http://m.facebook.com/231610464295359/photos/a.260860331370372/297997754323296/?type=3&source=44
Winter brings us the joy and the wonder of the holiday season. Join us to celebrate the power of young artists’ imagination and their faculty’s interpretation of winter rhythms of the magical music of the season. Let the magic of dance be the part of your holidays! The concert is created by our talented faculty, staff and students.
Standard Seating – $50 per person
Ticket includes admission to the show, a guaranteed seat at a table, and the buffet. Standard seating will be on a first come, first served basis.
**Please note: There is a 2 drink minimum per person. Soft drinks count toward minimum. Beverages will be available for purchase at the Event Center Bar.
Preferred Seating Ticket – Table for 2 or Table for 4 – Ticket Price $60 per person
Ticket includes:
– Admission to the show
– Reserved table for two or four
– Buffet dinner starting at 4pm (includes coffee & dessert)
– Cocktail service (2 drink minimum per person – soft drinks count towards minimum)
** Please note: Must purchase entire table. Tickets are $60 each.
Preferred Seating – Larger Parties 6+ People – Ticket Price $60 per person
Ticket includes:
– Admission to the show
– Reserved table for party
– Buffet dinner starting at 4pm (includes coffee & dessert)
– Cocktail service (2 drink minimum per person – soft drinks count towards minimum)
** Please note: Must purchase entire table. Tickets are $60 each.
VIP Skydeck Lounge – Ticket Price $100 per person (min. purchase 2 tickets)
6 tables of 10 will be available.
Ticket includes:
– Admission to the show
– Premium Group Seating with an unobstructed view of the stage
– One (1) Complimentary beer, wine, or champagne per person
– Premium buffet dinner starting at 4pm (includes coffee and dessert)
– Cocktail service (2 drink minimum – soft drinks count towards minimum)
– One (1) box of chocolates at your table per each 2 tickets purchased.
** Please note: Must purchase at least 2 tickets. If 10 tickets are not purchased, you may be seated with another party. Tickets are $100 each.
American Repertory Ballet brings the beloved classic Nutcracker to the stage with Tchaikovsky’s magnificent score, thrilling choreography and a cast of more than 100. A holiday tradition for more than 50 years (1964), American Repertory Ballet’s Nutcracker is one of the longest, continuously running Nutcracker productions in the nation.
Dec 14: 7:30pm — 9:30pm
Dec 15: 2:00pm — 4:00pm
Dec 15: 7:30pm — 9:30pm
Dec 16: 2:00pm — 4:00pm
The Nutcracker
The Nutcracker, one of ballet’s treasured classics, tells the story of a little girl named Clara who is given a magical nutcracker doll on Christmas Eve. Embarking on a wondrous journey through the Kingdom of Snow and the Land of Sweets, Clara encounters many unforgettable and timeless characters. Young and old alike will experience the many magical moments, of this beloved holiday ballet. There’s no better way to spend the holidays with family and friends than by sharing Atlantic City Ballet’s production of The Nutcracker.
American Repertory Ballet brings the beloved classic Nutcracker to the stage with Tchaikovsky’s magnificent score, thrilling choreography and a cast of more than 100. A holiday tradition for more than 50 years (1964), American Repertory Ballet’s Nutcracker is one of the longest, continuously running Nutcracker productions in the nation.
Dec 14: 7:30pm — 9:30pm
Dec 15: 2:00pm — 4:00pm
Dec 15: 7:30pm — 9:30pm
Dec 16: 2:00pm — 4:00pm
Met Music Director Yannick Nézet-Séguin conducts Verdi’s timeless tragedy La Traviata. Directed by Michael Mayer, this new production features a dazzling 18th-century setting that changes with the seasons. Diana Damrau is the doomed heroine Violetta, opposite Juan Diego Flórez as her lover, Alfredo, and Quinn Kelsey as Alfredo’s protective father, Giorgio Germont.
The National Ballet Theatre of Odessa presents Tchaikovsky’s Swan Lake. A timeless tale of love, romance, tragedy and transformation in a beautiful and passionate choreographed classical ballet that should not be missed.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
CHEAP TRICK: Robin Zander (vocals, rhythm guitar), Rick Nielsen (lead guitar) and Tom Petersson (bass guitar) are part of the very fiber of American music, inspiring and delighting generations with their unique union of massive melodies and razor blade riffs, their own special brand of mischievous wit and maximum rock ‘n’ roll. Since the ‘70s, they’ve been blending elements of pop, punk and even metal in a way that is instantly catchy and recognizable. With timeless classics such as “I Want You to Want Me” and “Surrender,” CHEAP TRICK, now with drummer Daxx Nielsen, are a musical institution. The Rockford, IL band is as vital today as ever, having released three records in the last three years — BANG ZOOM CRAZY…HELLO (2016), WE’RE ALL ALRIGHT (2017) and CHRISTMAS CHRISTMAS (2017) –and toured relentlessly to packed audiences around the world. 2016 saw CHEAP TRICK’s long-awaited induction into the Rock and Roll Hall of Fame. The induction honored both the band and the pioneering sound that has earned them total record sales well in excess of 20 million featured appearances and more than 40 international Gold and Platinum certifications. 2017’s WE’RE ALL ALRIGHT! was yet another undisputed triumph for the band as the album’s first single, “Long Time Coming,” enjoyed an unprecedented run of 18 weeks at #1 on the Mediabase Classic Rock chart.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
Come down and see what the farm staff is cooking on the wood-fired stove. Discover new recipes and cooking techniques. Study how the kitchens have changed since the 1890s in this free educational event.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
At the Asbury Park museum there will be a presentation by Claire T. Garland, Director of the Sand Hill Indian Historical Society and Sharon Coleman Davis. The two ladies will share their family roots and history of the Cherokee Indian inhabitants of our area going back to the early 1700s.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design