From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
Former state Sen. Joseph M. Kyrillos will moderate “Jobs, the Economy, and Global Competition: New Jersey and the Macro Economy,” on Thursday, March 7 at 10 a.m. in Wilson Auditorium.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
The spring production of the Department of Music and Theatre is Steel Magnolias, the touching comedy-drama by Robert Harling, directed by Dr. John Burke. The play visits six Louisiana women delicate as magnolia flowers, but tough as steel when they must be – as they gather in their small-town beauty parlor to gossip, complain, and share the joys and sorrows they face in their lives. Despite differences in age, backgrounds, and attitudes, their camaraderie and sense of humor help them grow through good times and bad.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
The Monmouth University baseball team hosts Seton Hall University for their first home game of the 2019 season. The Hawks met the Pirates last season on the road, April 18th 2018, where they took home a big 10-3 win.