From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
Join artist, Norma Tolliver, for a unique guided painting experience! This 3-hour workshop is a casual, social event where you can relax, enjoy your favorite beverage, and tap into your inner Van Gogh as you paint the featured painting for the evening on a pre-sketched 16” x 20” canvas
On Saturday March 9th, experience first-hand the North American tradition of maple sugaring at Hunterdon County’s Maple Sugaring Program. The tour will take you through the experience and the art of the sugaring process. Along the way you will see an early American Frontiersman tapping his trees, visit a sugar “farmer” at his evaporator, and enjoy a Native American story about the discovery of maple sap. Everyone will get a free taste of real maple syrup on a silver dollar pancake at the end of the tour. All ages are welcome.
Time: 9:00 AM to 2:00 PM – tours begin every 20 minutes (duration: 1 hr)
Cost: $1 per person suggested donation
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
Bel canto stars Pretty Yende and Javier Camarena team up for a feast of vocal fireworks on the Met stage. Maurizio Muraro is Sergeant Sulplice, with Stephanie Blythe as the outlandish Marquise of Berkenfield. Enrique Mazzola conducts.
La Fille du Régiment is a co-production of the Metropolitan Opera; the Royal Opera House, Covent Garden, London; and the Wiener Staatsoper, Vienna.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
Instructor, Gayle Stahlhuth, artistic director of East Lynne Theater Company, uses writing and simple acting exercises to trigger the writer’s imagination. The workshop is geared for those who have written plays, as well as those who have always wanted to try their hand at writing a play. Participants are encouraged to create short plays during the workshop.
Aside from performing, directing, and producing, Stahlhuth is also a produced playwright, who has received writing commissions from The Smithsonian Institution, Theatreworks/USA and The Illinois and Missouri Humanities Councils, and grants from The New Jersey Humanities Council. Her plays have been performed at such places as the NYC International Fringe Festival, The Samuel French One-Act Festival, Manhattan Theatre Club, Arvada Center in Denver, the Pennsylvania Stage Company, the Phoenix Theater in Indianapolis, and the Equity professional East Lynne Theater Company, located in Cape May. She has taught playwriting to a variety of ages throughout the country at theaters, universities, libraries, public schools, and writing conferences. For several years, Gayle was a popular workshop leader at the now-disbanded North Wildwood Beach Writer’s Conference.
The fee is only $10 and may be paid at the door. This fee is unusually low due to the financial support the New Jersey Theatre Alliance’s “Stages Festival.” Advance registration appreciated and may be made by calling 609-884-5898 or e-mail eastlynneco@aol.com.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
The Police Athletic League of Cape May will hold its 14th annual Comedy Night Social.
The event will be held at the Cape May Convention Hall and will feature 3 headline comedians.
We are offering a $550 Corporate VIP Sponsorship package for Comedy Night. The package includes 10 tickets to Comedy Night ($400 value), a reserved VIP table at the event, and your company’s logo displayed on social media, video screens, and printed materials at the event.
Washington Inn Catering will be providing lite fare and Lucky Bones will be providing soda, beer, and wine.
Come join us at Avon by the Sea for the sunrise in order to visualize the best colors, reflections, and waves to create your very own image. In order to participate, you must provide your own DSLR or mirrorless camera and tripod. After creation of your image, hot beverages will be provided! If weather conditions are unfavorable, the event will be rescheduled to Sunday, March 17th.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
“One of the happiest ballets in existence.” — The New York Times
A delightful evening of ballet fun for the entire family! Coppélia is one of the few comedic ballets in traditional repertoire, where brilliant classical dance meets a delightfully comic narrative. Franz, a soon-to-be married young man from the village, becomes infatuated by a life-like doll created by the eccentric inventor Dr. Coppelius. Hilarity ensues over love, infatuation, and mistaken identity.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
“One of the happiest ballets in existence.” — The New York Times
A delightful evening of ballet fun for the entire family! Coppélia is one of the few comedic ballets in traditional repertoire, where brilliant classical dance meets a delightfully comic narrative. Franz, a soon-to-be married young man from the village, becomes infatuated by a life-like doll created by the eccentric inventor Dr. Coppelius. Hilarity ensues over love, infatuation, and mistaken identity.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design