At the Asbury Park museum there will be a presentation by Claire T. Garland, Director of the Sand Hill Indian Historical Society and Sharon Coleman Davis. The two ladies will share their family roots and history of the Cherokee Indian inhabitants of our area going back to the early 1700s.
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
On Saturday March 9th, experience first-hand the North American tradition of maple sugaring at Hunterdon County’s Maple Sugaring Program. The tour will take you through the experience and the art of the sugaring process. Along the way you will see an early American Frontiersman tapping his trees, visit a sugar “farmer” at his evaporator, and enjoy a Native American story about the discovery of maple sap. Everyone will get a free taste of real maple syrup on a silver dollar pancake at the end of the tour. All ages are welcome.
Time: 9:00 AM to 2:00 PM – tours begin every 20 minutes (duration: 1 hr)
Cost: $1 per person suggested donation
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
Enjoy the day strolling the Village and seeing spectacular vintage British cars on display. Historic Smithville offers 60 Shoppes, 7 eateries, a carousel ride, train ride, paddleboats, arcade, on site lodging at the Colonial Inn, and over 26 free weekend events!
Come get an inside look of the National Historic Landmark, known as the T. Thomas Fortune Cultural Center will be open for the “Old Monmouth Weekend” Tour of Historical Sites. The T. Thomas Fortune Cultural Center, which has been fully restored, is the former home of the prominent African American journalist, T. Thomas Fortune, who lived there with his family from 1901-1912.
Come get an inside look of the National Historic Landmark, known as the T. Thomas Fortune Cultural Center will be open for the “Old Monmouth Weekend” Tour of Historical Sites. The T. Thomas Fortune Cultural Center, which has been fully restored, is the former home of the prominent African American journalist, T. Thomas Fortune, who lived there with his family from 1901-1912.
2019 Cape May Antique & Classic Automobile Show
Saturday, July 20
9am – 3pm
Collier’s Liquor Store Parking Lot on the corner of Jackson & Lafayette Streets.
Free To the Public
Registration Fee for Auto Owners • Limited to 40 Automobiles
Join us in beautiful Cape May, NJ for a day of sharing your car and memories!
For further information, call 609-884-9565.