From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
From Wounded Knee to the Edmund Pettus Bridge, Marked, Unmarked, Remembered presents photographs by Andrew Lichtenstein of significant sites from U.S. history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American and labor history, Lichtenstein reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. Curator: Mark Ludak, Department of Art and Design
Voyeur is inspired by artist Edward Hopper’s world of color, light, perspective, and under-the-surface eroticism. Fragmented moments of private lives are witnessed through windows and doorways. As the performers merge and collide with the video imagery, the presence of a seen or unseen viewer lies at the heart of Voyeur.
Step in time, it’s one heart-tugging, toe-tapping song after another in the beloved film Mary Poppins! This family-friendly, symphonic cinema event features the five-time Oscar-winning classic Disney film unfolding on the big screen with the NJSO performing the charming and delightful musical score. Don’t miss this Supercalifragilisticexpialidocious wonder live with the NJSO!
*Calling all Theater fanatics* The Belle of Amherst is a spellbinding and personal look at the life of one of America’s greatest poets. The production features the return of the beloved actress Maureen Silliman to the Two River stage and will be directed by Two River Founder Robert Rechnitz, who was a Professor of American Literature at Monmouth University for 35 years.
Enjoy the day strolling the Village and seeing spectacular vintage British cars on display. Historic Smithville offers 60 Shoppes, 7 eateries, a carousel ride, train ride, paddleboats, arcade, on site lodging at the Colonial Inn, and over 26 free weekend events!
Come get an inside look of the National Historic Landmark, known as the T. Thomas Fortune Cultural Center will be open for the “Old Monmouth Weekend” Tour of Historical Sites. The T. Thomas Fortune Cultural Center, which has been fully restored, is the former home of the prominent African American journalist, T. Thomas Fortune, who lived there with his family from 1901-1912.
Come get an inside look of the National Historic Landmark, known as the T. Thomas Fortune Cultural Center will be open for the “Old Monmouth Weekend” Tour of Historical Sites. The T. Thomas Fortune Cultural Center, which has been fully restored, is the former home of the prominent African American journalist, T. Thomas Fortune, who lived there with his family from 1901-1912.
2019 Cape May Antique & Classic Automobile Show
Saturday, July 20
9am – 3pm
Collier’s Liquor Store Parking Lot on the corner of Jackson & Lafayette Streets.
Free To the Public
Registration Fee for Auto Owners • Limited to 40 Automobiles
Join us in beautiful Cape May, NJ for a day of sharing your car and memories!
For further information, call 609-884-9565.